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The Young in Heart (1938)

220px-Poster_-_Young_in_Heart,_The_01The Young in Heart is a delightful, though not well known, comedy about a family of sophisticated, charming con artists who are trying to con a wealthy, elderly lady by pretending to be far better people than they really are. The trouble is that with all the effort to appear good, they begin to find themselves becoming just who they pretend to be and it’s very embarrassing to each member of the family; they don’t want the others to know they are becoming soft-hearted.

It seems like such a shame that this film is not better known today. Part of the reason could be that the cast does not contain actors we are as familiar with now. The movie is about the Carleton family, who are attempting to con their way into a wealthy position: Colonel Anthony Carleton (Roland Young), who is called Sahib by his family, Mrs. Carleton (Billie Burke), who everyone calls Marmy, and their two children George-Anne (Janet Gaynor’), the youngest and the real brains of the family, and Richard Carleton (Douglas Fairbanks, Jr,), suave, but who has never worked a day in his life.

Of course, the Sahib is not really a sahib from India or a colonel or a Bengal Lancer, though he is always saying that he is. He just played the role in a play, many years ago, with his wife.

While arranging for Richard to marry an heiress so they can all sponge off of her, the Sahib cheats at cards and they are unmasked and told to leave the Riviera. They are destitute in a train station, where Sahib and Marmy fondly reminisce about the old days while their two children despondently contemplate the wreck of their plans: Richard to marry the heiress and George-Anne to marry a Scotsman without any money (since she was going to sponge of Richard’s wife, she didn’t need a rich husband).

Janet Gaynor, Douglas Fairbanks Jr., Roland Young, Minnie Dupree, Billie Burke

Janet Gaynor, Douglas Fairbanks Jr., Roland Young, Minnie Dupree, Billie Burke

The Sahib and Marmy are a very affectionate couple and seem to be crooks out of sheer eccentricity. Their children, however, are quite serious about their crookedness; they mean to have money. Fortunately, they encounter Miss Fortune (Minnie Dupree), a lonely, rich and very sweet old lady who is only too delighted to meet such an agreeable family and is so touched by their kind attention that she invites them to stay with her. Then George-Anne conceives a plan: they’re going to be as good as Miss Fortune thinks they are so that she’ll make them her heirs.

George-Anne even talks her father and Richard into pretending to look for jobs, although they really just go out and tour the city. But then Duncan Macrea (Richard Carlson), her former fiancé, comes to see George-Anne. He’s extremely annoyed about her whole family con artistry, but says he finds he can’t live without her. She tells him that he will have to and he, rather mischievously, knowing that her father is supposedly looking for work, gets Sahib a job as a salesman for the Flying Wombat, which is a car that looks like the kind of thing Batman should have driven.  George-Anne is obliged to make Sahib take the job so that Miss Fortune won’t know he wasn’t serious about his job hunting. He does so with much trepidation and discovers that he has a real knack for the business.

Janet Gaynor with puppy for Miss Fortune

Janet Gaynor with puppy for Miss Fortune

Richard also ends up with a job, sorting mail at an engineering company. His boss, Leslie Saunders (Paulette Goddard) is not impressed by his smooth lines, but is intrigued that he has never had a job before and is curious how he will turn out. She also lets him take her out to dinner after he gets his first paycheck and soon he thinks he’d rather like to study engineering.

There are two themes in the film: faith and love. Miss Fortune says “one must have faith in the people you love,” even though her lawyer warns her about the Carletons. Duncan, in his own way, has faith in George-Anne. He is always showing up on some errand or other and they always argue and he is always leaving “once and for all.” He drives her nuts by insisting that though her family are all crooks, she’s a good girl, while she keeps telling him to stop making her out to be better than she is and that she’s just as crooked as her family. Ironically, she’s right, but Duncan keeps on insisting and is eventually proved right. Even Leslie Saunders demonstrates faith in Richard when she gives him the job.

Of course, the reason people live up to the faith is because they love the person with the faith. The difficulty is just to get over their bad habits and crooked ways. At one point Richard asks if George-Anne is in love with Duncan and she replies, “How could I be in love with him? He hasn’t any money!” They are all touched by Miss Fortune’s utter faith and love for them, but won’t admit it to each other. When Richard buys her a dog, he says it’s part of the act. When George-Anne catches her father with a moist eye, he denies it has anything to do with being moved by Miss Fortune’s kindness.

It’s all very sweet and charming and the humor is rather droll. It is a comedy of crooks becoming good, quite accidentally, because of the people around them and their own efforts of deception.

The movie is on DVD and can also be seen on youtube.

 
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Posted by on November 10, 2014 in Uncategorized

 

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Girl Trouble (1942) – A Wartime Screwball Comedy

girl-trouble-affiche_463166_16938Hollywood has always liked stories about rich people pretending to be domestics, usually not successfully; though William Powell was an exception as an unsurpassed butler in My Man Godfrey. There is often overcooked toast involved in these kinds of tales. Merrily We Live (Constance Bennett and Brian Aherne) and If Only You Could Cook (Herbert Marshall and Jean Arthur) are also lesser known entries into this genre. However, what all three movies have in common is that it is the man who is pretending to be a domestic when he is, in reality, quite wealthy.

Girl Trouble takes a different tack, in that the domestic is a woman and she’s no longer rich. Without being a war propaganda film, the movie is firmly set during WWII and much of what the characters are doing are the result of the war. There is June Delaney (Joan Bennett) who has lost all her fortune because, for some reason, she can no longer get her money out of London (presumably due to the war). There is also the South American playboy, Pedro Sullivan (Don Ameche), who has come to America to negotiate a loan for his father’s rubber plantation so that they can start selling rubber to the Americans. It is a loan that the US government very much wants, partly because they are in desperate need of rubber and partly to cement good relations with South America – both rubber and South American relations really being genuine concerns of the US at that time.

And then there is Mrs. Rowland (Billie Burke), who is the ultimate in fluttery women, always organizing charities (usually for the war effort) and red cross meetings. And June seems to have an awful lot of spoiled, rich friends (some in uniform) who go from home to home, participating in these meetings. Even the fluttery and spoiled must help the war effort.

1407210366_3Because June is now broke, she must rent out her apartment and Pedro Sullivan (his name is explained by the fact that his father came from America) must stay in New York for a while, so he rents her apartment and mistakes her for the maid because she is dressed like a maid and running the vacuum. June’s friend Helen (Helene Reynolds) thinks it’s all very funny and is glad that June will no longer be in competition for the men now that she is poor. However, when Pedro asks June to stay on as his maid, June says yes and she has the advantage over her friend in that, though he thinks she’s the maid, it allows her to be on the spot where he is most of the time.

Joan Bennett is by far the calmest screwball comedienne I have ever seen. No matter what happens, like burnt toast, a vacuum that spits dust all over her dog, Mrs. Rowland taking Pedro’s clothes away with her for charity (she believes they are June’s father’s clothes), she always remains calm and never visibly reacts. There is no making faces, wringing hands, screaming or looking frazzled. She simply moves on, unflappably, with whatever she is doing, finding some way out of her difficultly or coming up with some sort of lie when necessary. She even takes the news about her impoverishment relatively philosophically and never utters one word of complaint. Perhaps complaining would have seemed unseemly during the war.

It’s not the greatest comedy ever made; it’s only 81 minutes and there’s not a tremendous amount of character depth, but it’s cute and I especially enjoyed Joan Bennett’s comedic style. I was also fascinated with how effortlessly WWII grounded it is. Even the decision to have the romantic lead be from South America is partially war related since South America was about the only continent that didn’t have most of it’s young men in uniform or off fighting

girl-trouble_478199_47588June also has the cutest little black terrier (I think it’s a Scottish Terrier) who is always frisking about and accompanied by lively Scottish (or Irish) music. What is also pretty funny is how blithely unaware Pedro and June are of the massive impropriety of having a female maid living in the same apartment with her male employer. Whenever people hear about the arrangement, they are shocked, but June and Pedro don’t seem to notice.

The irony is that he is a playboy and isn’t all that good at his business. It is June who seems to display business acumen. She reads his papers and asks him intelligent questions that he can’t answer and is also the one to resolve his business difficulties. For being a spoiled, rich young lady, she turns out to be pretty competent, except she can’t make toast.

 

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