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A Christmas Potpourri

I’ve somehow largely been out of the mood for Christmas (not in a bad mood, just having trouble feeling like it’s Christmas), watching no Christmas movies, listening to very little Christmas music, and reading even less Christmas related material. It’s been odd. However, here three Christmasy things relating to music, literature, and cinema that are part of my December that I wanted to share.

Julie London and Christmas

Julie London did not have a very big voice. She said she had “only a thimbleful of a voice, and I have to use it close to the microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate.” She manages to sound both sexy and classy.

My December has been rather warm, because I’m temporarily in California. Usually, my Christmas is damp and chilly (rather than snowy), but this year it is sunny and warm. In two songs, Julie London sings about a warm Christmas, but it’s not because of the sun.

“I’ve Got My Love To Keep Me Warm” – written by Irving Berlin in the 1937 film On the Avenue.

And “Warm December”

“I’d Like You For Christmas” was written by Julie London’s husband, Bobby Troup, who acted with Julie London in the TV series Emergency!

Relating to John Milton

I’ve been reading about John Milton, author of Paradise Lost. One random fact I learned in a biography about him – The Life of John Milton: A Critical Biography by Barbara K. Lewalski – is that the phrase “Hobson’s Choice” derived from Thomas Hobson, who owned a livery stable and rented horse and carriages to the students at Cambridge (presumably including John Milton). He reportedly would force the students to rent whatever horse and carriage was closest to the door, thus the saying “Hobson’s choice,” which essentially means “no choice.” I mention it because I had never heard the phrase before and caused the title of David Lean’s film Hobson’s Choice to make much more sense. I had previously and rather ignorantly assumed it meant that he really had a choice to make.

But the one Christmas work I have consistently been listening to is Ralph Vaughan William’s “Hodie,” which is a cantata with music set to texts from the Bible and various English poems from authors like George Herbert, Thomas Hardy, and John Milton. The most moving song is “It Was the Winter Wild,” which is adapted from John Milton’s poem “On the Morning of Christ’s Nativity.” Listen how, at the end, the music hushes after the soprano sings about how “Birds of Calm” brood over the music so that it forgets “to rave.”

It was the Winter wilde,
While the Heav'n-born-childe,
All meanly wrapt in the rude manger lies;
Nature in aw to him
Had doff't her gawdy trim,
With her great Master so to sympathize:
And waving wide her mirtle wand,
She strikes a universall Peace through Sea and Land.

No War, or Battails sound
Was heard the World around:
The idle spear and shield were high up hung; 
The hooked Chariot stood
Unstain'd with hostile blood,
The Trumpet spake not to the armed throng,
And Kings sate still with awfull eye,
As if they surely knew their sovran Lord was by. 

But peacefull was the night
Wherin the Prince of light
His raign of peace upon the earth began:
The Windes, with wonder whist,
Smoothly the waters kist, [ 65 ]
Whispering new joyes to the milde Ocean,
Who now hath quite forgot to rave,
While Birds of Calm sit brooding on the charmed wave.

A New Christmas Movie

I have yet to see a single holiday film this December, but thanks to Ruth at Silver Screenings, I have a new Christmas film to watch tonight that I have never seen, or even heard of before. It is called The Holly and the Ivy, starring Ralph Richardson, Celia Johnson and Margaret Leighton. It looks to be delightful. For more information and a link to the film, please check out her post, here.

Have a Merry Christmas! I’ll be back before New Year with a look at the past year and some thoughts about the coming new year.

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Posted by on December 23, 2017 in Books, Movies, Music

 

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Some Christmas Songs!!

Bing Crosby singing “Christmas is A’Comin'”

Bing Crosby and the Andrews Sisters sing “12 Days of Christmas”

There’s no Irving Berlin Christmas song more famous than “White Christmas,” but he wrote other excellent festive songs, as well. One song is “I’ve Got My Love to Keep Me Warm,” which was introduced by Dick Powell in the 1937 film On the Avenue, a lesser-known film with a terrific Berlin score. Well worth watching to hear Dick Powell and Alice Faye sing.

Alice Faye was, alas, prevented by 20th Century Fox from recording more while she was making films, which is definitely our loss. She had a beautiful voice!

 
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Posted by on December 14, 2017 in Movies

 

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We’re No Angels (1955)

We're_No_Angels_-_1955_-_poster“What a cast!” was my first thought as I read about the Christmas film We’re No Angels: Humphrey Bogart, Peter Ustinov, Aldo Ray, Joan Bennett, Basil Rathbone, Leo G. Carroll! And directed by the incredibly diverse Michael Curtiz? Woohoo!

“What was that?” was what I first wondered when I had completed watching it. I suspect that I am going to get into trouble if I try to analyze the film too closely. But purely on a superficial level, on the strength of it’s cast and script, We’re No Angels is both sentimental and somewhat darkly comedic and deliciously enjoyable. After all, how many angels kill the villain with a snake to bring peace and happiness to the heroes? I suppose that’s why they’re not really angels. I’m getting ahead of myself.

In 1895 on Devil’s Island in French Cayenne, three convicts escape from prison on Christmas Eve. They are Joseph (Humphrey Bogart), Albert (Aldo Ray) and Jules (Peter Ustinov). And Adolphe, Albert’s poisonous pet snake. Because there are many convicts on parole on Devil’s Island, they figure they can walk boldly into the city and no one will notice them. Their plan is to forge passports, steal clothes and murder the owner of the general store where they plan to get their materials and then slip away on a ship back to Paris.

The general store they select is run by the vague and ineffectual Felix Ducotel (Leo G.Carroll), who is nevertheless a kind and honest man. Joseph wants to hang around until dark, so he offers to have the three of them fix Felix’s roof. While on the roof, they listen to Felix talk to his wife, Amelie (Joan Bennett) about their business difficulties, their daughter, Isabelle (Gloria Talbott) and Cousin Andre (Basil Rathbone), who is the rich business man who owns their general store. He is arriving that evening from Paris with his nephew (who Isabelle loves) to look at the books. Since Felix is a hopeless businessman, their fear is that Cousin Andre, who is a ruthless businessman, will throw them in prison.

As the convicts listen, they are drawn into the family’s concerns and their inherent goodness, but Joseph insists that they stick to the plan and cut their throats that night (“Now that’s the kind of thing that makes people stop believing in Santa Clause,” Jules complains). But instead they end up helping sort out the family’s affairs, both business and romantic, and go out of their way to give them a Christmas they’ll never forget.

Humphrey Bogart, Pete Ustinov, Aldo Ray

Humphrey Bogart, Pete Ustinov, Aldo Ray

We’re No Angels is based on a French play and is a somewhat offbeat story. The three convicts are just as much avenging angels as good angels. They literally appear from on high (the roof) to help, even if they are kind of peeping toms. Bogart plays the scam artist who can sell anything (including combs to a bald man), cook any books and forge anything. Ustinov was a successful safe cracker who is only in jail because he murdered his wife. Aldo is the lug who murdered his uncle for not giving him money when he asked and likes to chase women.

But the Ducotel family doesn’t seem to mind having murderers, rapists and scam artists around. They are hopelessly naive, but honest and treat the three convicts like anyone else…actually, more like family friends. They even invite them to share their Christmas dinner with them. Jules begins to have second thoughts about murdering them that night, but Joseph insists they remain strong.

We came here to rob them and that’s what we’re gonna do – beat their heads in, gauge their eyes out, slash their throats…soon as we wash the dishes.

The three of them make a great team, always lolling about, stealing from the local community (the Ducotel’s become the unknowing repository of stolen goods), offering sage advice, cooking dinner, arranging flowers, washing dishes, being insolent to the villains, playing matchmaker, singing a carol in three part harmony. They combine a recognition of goodness with a perfectly open zest for criminality and rejoice when Cousin Andre unexpectedly arrives, because in the words of Jules, he was getting tired of all this niceness. But for all their talk about cutting throats and murder, it’s clear they’re really just big softies.

Peter Ustinov, Humphrey Bogart, Basil Rathbone, Leo G. Carroll, Aldo Ray - Rathbone wants to look at the books before Bogart has time to alter them

Peter Ustinov, Humphrey Bogart, Leo G. Carroll, Basil Rathbone, Aldo Ray – Rathbone wants to look at the books before Bogart has time to alter them

All three actors – Bogart, Ray and Ustinov – approach their roles lightly and seem to be having a great time. I particularly enjoyed Ustinov and Bogart, who I don’t usually associate with comedy, but he certainly can deliver a line. Basil Rathbone as Cousin Andre is also fantastic, showing up later in the film to make a big impression as the walking cash box. To an angry Isabelle, he says with complete indifference, “Your opinion of me has no cash value.”

Oddly enough, by being fugitives from prison, it actually frees the three of them from having to follow society’s laws, or even it’s most basic morals dictates. Joan Bennett as Amelie mentions to Joseph several times that she envies him for doing what he wants. Ironically, they also do what she dreams of doing, but would never do – which is kill Cousin Andre. So, crooks make it possible for the innocent people to go on being innocent and happy by committing murder? Somehow, that seems morally dubious, but hey! It’s a fun film, heartwarming despite that.

Bogart with his stolen turkey, while Ustinov admires his “beautiful big brown eyes.”

Bogart makes a sale and Joan Bennett is somewhat overwhelmed by the three convicts many talents.

 
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Posted by on December 14, 2015 in Movies

 

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