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Revisiting Casablanca

casa7Yesterday, I had a small family party and we watched Casablanca, partially because my cousin had not seen it before and wanted to (he said he liked it). The last time I saw Casablanca was before I developed my slightly obsessive enthusiasm for classic movies, so I was hoping to be able to see a familiar classic with new eyes. I don’t know if I quite did, but here are the four things that I took away this time.

1) There’s a lot of music in Casablanca. All movies have music, but it’s particularly noticeable and pointed. Max Steiner (he wrote the score for Gone With the Wind and King Kong), weaves in “La Marseillaise” and “Die Wacht am Rhein” throughout the entire movie score. “La Marseillaise” is the French National anthem and stands in for freedom. “Die Wacht am Rhein” is used to represent the Nazis (it’s a song about the fatherland and fighting in the Rhineland – specifically against the French). They are a call to arms and a drawing of the battle lines.

Juxtaposed with this martial music are the romantic songs that Dooley Wilson sings, especially “As Time Goes By.” Since that is the song that we really remember from the movie, the underlying message is that love will last forever and transcends war and hatred and evil. This point is made more clear when we see repeated scenes of Rick (Humphrey Bogart) and Ilsa (Ingrid Bergman) falling in love in Paris (to the music of “As Time Goes By”) interspersed with scenes of the Nazis invading France to martial anthems. Rick and Ilsa may not get to be together at the end of the film, but there will always be other people who will fall in love, especially when the war is over and tyranny is defeated. “The world will always welcome lovers, as time goes by.”

still-of-ingrid-bergman,-humphrey-bogart,-claude-rains-and-paul-henreid-in-casablanca-(1942)-large-picture2) I have a theory that it takes one to know one. Captain Louis Renault (Claude Rains) may be a flagrantly, cheerfully corrupt official, but his clear understanding and sympathy with Rick makes me suspect that at heart, he is just as much a sentimentalist as Rick. I like to imagine that he had a romantic and quixotic past before he came to Casablanca. He’s just had more years to grow entrenched in his cynicism than Rick. At least, that’s my theory. Because at the end, he proves just as sentimental as Rick. For him to throw up everything and join the Free French is quite a step for a man who “blows with the wind.”

3) At the end of the movie, to convince Ilsa to get on the plane and leave with her husband, Victor Laszlo (Paul Henreid), Rick tells Ilsa that she must go because Victor needs her, that she is the only thing that keeps him going through all his trials, and that she would later regret having left him.

Captain Renault then comments that Rick was spinning  a fairy tale and that Ilsa knew that the things Rick said were not true (she probably wouldn’t regret staying with Rick and Laszlo is far too dedicated to his work to quit even if his wife did leave him). So why did she stay with her husband? Because Rick needed to fight and he couldn’t do that if they ran way together. Love must be sacrificed for duty, which both she and Rick recognized. It’s all a matter of timing, as Ilsa notes when they are in France, when she says they picked a terrible time to fall in love.

Annex - Bogart, Humphrey (Casablanca)_11In the original screenplay, Rick and Ilsa were going to leave together. However, when America entered the war, the studio realized that it would be impossibly irresponsible and selfish to have two people run away together as if there were not a cataclysmic war raging across the world. So the ending was changed.

4) Although Casablanca is not the movie that turned Humphrey Bogart into a leading man (High Sierra and The Maltese Falcon did that), it is the movie that cemented his reputation both as a star and as a romantic lead. And I think Casablanca summarizes his appeal as a romantic lead. He looks like a gangster, he talks like a gangster, but as Captain Renault perceptively notes in Casablanca, beneath the cynical shell there is a sentimental man. He may look like a tough guy and talk like one, but you can instinctively feel that inside he is an idealist who has been disappointed, but can’t quite shake the idealism. He has a sensitive soul and intelligent mind. It just took the studios a while to figure it out because he does not look like a conventional leading man.

 
 

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