RSS

Tag Archives: popular music

Doris Day – Singer

Yesterday was Doris Day’s birthday – were she just discovered she is truly 95 and not 93 as she had thought – and in honor of her birthday, Love Letters to Old Hollywood has hosted “The Doris Day Blogathon,” which I am delighted to participate in with this tribute to Doris Day as singer.

I’ve always loved Doris Day as an actress, but one of the remarkable things about her is that even if she had never been an actress, she would have deserved to be remembered as a great singer, one of the most popular of her era. She was singing number one hits on the chart before she had even become an actress (click here for a look at her chart hits and discography).

Doris Day originally intended to be a dancer, but when an accident left her temporarily disabled, she turned to singing. She would listen to Ella Fitzgerald and try, as she said, “to catch the subtle ways she shaded her voice, the casual yet clean way she sang the words.” Her teacher taught her to sing as if she were singing into the ear of one person. The result is that she developed one of the most intimate styles of singing that I have ever heard.

She envelopes you in her warm vibrato. She had perfect diction, a beautifully fresh tone, that could also be suggestive, and spellbinding phrasing. But she’s an understated performer, which I believe has led to her being underappreciated. It sounds easy. Her singing has even been called easy listening, but there is nothing easy about it.

Check out her phrasing in “My One and Only Love.” Listen to the way she sings the first line “The very thought of you/makes my heart sing.” She sings it as one phrase, pausing after “you,” but not breathing, only to swoop up vocally on “makes my heart sing.” Such phrasing is only possible with perfect breath control and technique. I tried imitating her, which only increased my appreciation of her.

She was also a mesmerizing performer and no one could put across a song quite like her. When showing the movie Love Me or Leave Me to my cousin, she remarked on how the camera rarely moved while Doris Day was singing. As she said, it didn’t have to. Doris Day draws you in, just sitting there singing, and anything else would be a distraction (listen to “It All Depends on You for an example”). She demonstrates the exact same thing in her version of “The Way We Were.” Her ability, without histrionics, without much movement, to tell a story and convey feeling is marvelous. But this subtly has also, I think, contributed to her sometimes being underappreciated as a singer (as well as the way people association her with more upbeat song).

Although primarily known for singing popular music, Doris Day was also a fine jazz singer and it has been remarked be a number of people that she could have been one of the greatest female jazz singers if she had pursued that path. Here is a jazzier song from her discography, called “You’re Just Too Marvelous,” which she sang in the film Young Man With a Horn. The trumpet player is Harry James.

Of course, in a pinch she could also belt out a song Broadway style, as she proved in Pajama Game.

Absolutely stunning singer! I never get tired of listening to her.

Thanks so much to Love Letters to Old Hollywood for hosting! And Be sure to check out all the other posts about her life and career and films.

Advertisements
 
11 Comments

Posted by on April 4, 2017 in Music

 

Tags: , , , ,

“My Funny Valentine”

My Funny Valentine” was written by Richard Rodgers and Lorenz Hart for the musical “Babes in Arms” in 1937. Oddly enough, the song did not make it into the 1938 film adaptation with Judy Garland and Mickey Rooney (they passed up having Judy Garland sing that song!), but has since become a standard. And since today is Valentine’s Day, here are a number of interpretations of this lovely song.

Ella Fitzgerald

Barbra Streisand

Chet Baker

Miles Davis

 
4 Comments

Posted by on February 14, 2017 in Movies

 

Tags: , , , , , , , ,

Irving Berlin During the 1920s

imagesNovember 16th was National Flapper Day over at Movies Silently and I had wanted to join in with a post of my own on the music of the era. However, I was unable to do so last week, owing to a variety of activities. Today, however, I am on the ball!

I just finished reading Irving Berlin: American Troubadour and the breadth of his career amazes me. He only played on the black keys of the piano, had very little schooling and no official musical training, but he was extraordinary. His first hit came during the 1910s and he was still writing songs in the early ’60s.

Jerome Kern once said that “Irving Berlin had no place in American music – he is American music.” Berlin could adapt to the different musical tastes of the times (until rock, that is – no one adapted to rock, as far as I can tell) and wrote rag, ballads, novelty songs, holiday songs, patriotic songs, nearly every kind of song there is.

He also believed in hits. Unlike Rodgers and Hammerstein, he was not as interested in having his songs fully integrated into the story, though he certainly intended them to make sense in the context of the story. But he liked his songs to be stand-alone hits outside of their original musical. This is why far fewer of Rodgers and Hammerstein’s songs are now jazz standards compared to Rodgers and Hart or Berlin or Cole Porter.

But because Irving Berlin liked hits, he liked the revue format rather than the musical story format. One of his best scores was composed for “As Thousands Cheer” in 1933, which was a revue starring Marilyn Miller, Clifton Webb, and Ethel Waters. He wrote “Heat Wave,” “Easter Parade,” and “Supper Time.” The conceit was that different newspaper headlines would morph into musical numbers. It was also the first show were an African-American performer (Waters) received top billing with other white performers.

But quite a few hit songs we now associate with Irving Berlin were written during the 1920s for different musical revues. He composed the music for a Ziegfeld Follies. He also co-owned a theater – The Music Box Theatre – where he put on several Music Box Revues.

What follows is a brief survey of several of Berlin’s enduring hits written in the 1920s.

“Blue Skies (1926)

“Blue Skies” was dedicated to Berlin’s first daughter, Mary Ellin, when she was born. The song was actually interpolated into a musical – “Betsy” – which was being scored by Richard Rodgers and Lorenz Hart. The actress, Belle Baker, was not pleased with their songs and asked Berlin for a song she could sing. A year later, Al Jolson would make history by singing it to his mother in The Jazz Singer. The song was recorded by a number of people during the late 1920s, along with the bandleader Ben Selvin and His Orchestra.

The Song Is Ended But the Melody Lingers On (1927)

I couldn’t find out anything at all about this song, except that it was published in 1927. This version is sung by Annette Hanshaw, an even more popular singer than Ruth Etting, it seems. Her years of greatest popularity spanned from the late twenties to early thirties. Her trademark was to say “That’s all” at the end of singing and she was the quintessential flapper/singer.

What’ll I Do (1924)

Introduced in Irving Berlin’s third Music Box Revue, this version is sung by Walter Pidgeon, who I had not realized could sing. Reportedly, when the song was heard in England, many people wanted to know what a “whattle” was.

Always (1926)

Irving Berlin wrote for and literally gave this song to his wife, Ellin, when they were married. All royalties for the song belonged to her. Their romance had been a strained one. Her wealthy father disapproved and tried to detach Ellin from Irving Berlin, partly because he was Jewish. Eventually, Berlin and Ellin eloped, but were hounded by the press. It was only after many years later, after Berlin and Ellin unexpectedly lost their newborn son, that Ellin’s father reconciled with the family.

The performer is Nick Lucas, both singer and guitarist, who’s career spanned the 1910s to 1980s.

 
2 Comments

Posted by on November 21, 2016 in Music

 

Tags: , , , , , , ,

 
%d bloggers like this: