Dr. Daisuke Serizawa is my lonely scientist of choice, from the original film Gojira. What attracted me to the character was how differently he is portrayed, for a lonely scientist, that is. Most lonely scientists inadvertently cause destruction…or at least their own downfall. But in Gojira, Serizawa’s loneliness is actually a sign of his heroism and humanitarian integrity, rather than instability or pride.
The original Japanese film was released in 1954 and launched one of the most famous – perhaps the most famous – movie monsters in history. His only competition is King Kong. What makes the original Japanese film so good, however, is not the special effects or even the monster, but what the monster evokes. It is a beautiful evocation of the trauma of war, evacuation and dislocation, and nuclear warfare.
The monster, Godzilla (or Gojira) actually looks rather unimpressive today. Whenever he rises from the sea, he sways woozily, like he’s had too much to drink the night before. He’s also a bit pudgy and ponderous. It does lend him an aura of unstoppability, though. Slow-moving, but invincible and inevitable.
But when he rises from Tokyo Bay and begins to lay waste to Tokyo, the burned out city he leaves in his wake is a painfully accurate image of how many cities in Japan (and around the world) did look after bombing. While the monster is stalking through Tokyo, a woman hugs her three children tightly and tells them that they are going to see their father soon, who no doubt died during the previous war.
The film surprisingly does not flinch from showing what must have been nightmare memories for many people. Children crying in hospitals, cities on fire, military machines ineffectually firing as the monster keeps coming. The monster represents not just the war, but also nuclear warfare. In the film, he is a prehistoric dinosaur released by the testing of atomic weapons.
The only one who can save Japan is the lonely hero of the film: Dr. Serizawa. Serizawa himself is a living reminder of the war, having lost an eye while fighting during WWII. He is engaged to the daughter of a colleague, zoologist Dr. Yamane (Takashi Shimura). The daughter, however, is in love with a ship’s captain
But Serizawa spends all his time in the lab and everyone wonders what he’s working on. The only person he shows is his fiance, Emiko (Momoko Kochi). Oddly enough, I think that was his way of telling her that he loved her. He’s a more reserved man, but after her shows her what he’s experimenting on – which horrifies her – he tells her that she is the only person he would show that to.
What he’s working on, however, turns out to be an inadvertent weapon of mass destruction. It’s an Oxygen Destroyer, which he discovered accidentally and deprives all living things in an area of water of its oxygen. He’s afraid of sharing it with the world for fear it would only add to the already lengthy lists of ways people can kill each other. Hence his isolation and refusal to see others.
The dilemma for Serizawa is to decide whether or not to use it to destroy Godzilla. If he uses it, then the world will know and he fears will want him to create a weapon for them. If he doesn’t use it, then Godzilla will go on destroying cities.
(Spoilers) His solution is to destroy his research, use his Oxygen Destroyer to kill Godzilla, and end his life in the process so that not even the knowledge in his mind can be used for ill. This only works because his research is entirely in his control, because he works alone. The lonely, principled hero standing up for right.
I can’t help but think, however, that once it is even known that such a thing as an Oxygen Destroyer exists, then it will be invented again by somebody. No one ever really does have a monopoly on scientific knowledge and scientists never can ultimately be alone – it’s there for everyone to find. As was pointed out to me recently, the knowledge is out there on how to create a nuclear bomb; the hard (and expensive) part is actually building one.